Crosby knew Nash since 1966 when The Byrds had toured the UK, and revisited again when The Hollies toured California a couple of years later. So the night that Cass Elliot invited them all to a party at her house, there was renewed friendship. What was unusual about that evening was the sound that was birthed....
Nash had asked David and Stephen to sing a song that Stills had just written. As the two men began singing, Graham began adding a third part to it. The results were breathtaking to the folks at the party, and to the three men themselves. Nash had been looking for a creative outlet outside of The Hollies, so when it was suggested that they start writing and recording as a group, he was all in.
Troubles would ensue in short order, but not before recording a glorious album chocked full of those harmonies. "Crosby, Stills, and Nash" was released in May of 1969 to a great reception by fans and critics alike. All three brought distinct styles to the party. Crosby brought a sense of on the edge political activism, Stills brought a folk/country touch and became the mastermind of the studio, Nash had a keep pop sense. Wrapping all of this in those tight harmonies made their first few albums classic. What made this first one a bit different was the freshness and sheer excitement of creating together that was transmitted to the listener.
They had bigger hits on the singles chart, but if I never remember these guys for anything else, it would be for, "Suite, Judy Blue Eyes". Stills' relationship with Judy Collins was nearing it's end. and in sadness, he wrote a song broken into a four part suite which chronicled it's demise. In the studio it was turned into a musical tour de force which, at least for me might have been equaled by the group, but never surpassed.
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