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Showing posts with label 1971. Show all posts
Showing posts with label 1971. Show all posts

Tuesday, September 17, 2013

Freddie Hart--Easy Loving (1971)

      Every time I post a country song on here, the same type of emails come in, "This ain't rock and roll". Well no kidding. At the same time, no matter what era that it had been recorded, if it makes it on to the top 20 on the pop charts, then it has something going for it. In 1971 Freddie Hart had a huge hit with "Easy Loving" which just goes to show that a good song is a good song no matter what genre it comes from.
     Hart was born in rural Alabama and had just a minimal education. He had quit school before he was a teenager to go work, and a few years later lied about his age at the outset of World War II to get into the military. He saw action in Iwo Jima and Guam. On his release, he settled in California where he taught self defense courses at the LA Police Academy. He also began to perform and write which led to a recording contract in 1953 with Capitol Records. This never led to much, but ended up getting his first big break when Carl Smith covered his song, "Loose Talk" in 1955. He continued to write for artists such as Patsy Cline and George Jones. His switch to Columbia Records in the late 50's began to bear some fruit with the song, "The Walk" in 1959.
     The 60's found him having middling success, especially in the latter part of that decade. It was his return to Capitol in 1969 that marked the beginning of his most fruitful period. He had become a part of what was known as the "Bakersville Sound" which had been made so popular with Buck Owens. "Easy Loving" in 1971 not only became his first number one his on the country charts, but did well enough to climb to number 17 on the pop charts as well. It began a streak of five number 1's in a row (he had six total) from 1971 to 1973. He became a country star for the entirety of the decade.
     He has continued to record traditional country and gospel over the years since 1980 and in his 80's continues to remain active in music and his love for painting.
 

Monday, August 5, 2013

Hamilton, Joe Frank, and Reynolds--Don't Pull Your Love (1971)/Falling In Love (1975)

     This trio can trace it's linage back to the mid 60s as a group called the T-Bones, which was put together to go on the road to support the single, "No Matter What Shape (Your Stomach's In). It had been done by studio musicians previously and ended up becoming a hit.  Dan Hamilton (guitar, lead vocals), Joe Frank Carollo (bass, vocals), and Tommy Reynolds (multi-instrumentals, vocals) pattered their sound after The Venturas, which Hamilton was a part of at one time. They stayed together for a couple of years, but after succeeding recorded went nowhere, the group broke up.
     Several years later the trio reformed under the name, Hamilton, Joe Frank, and Reynolds and was signed by Dunhill Records. Their first single, "Don't Pull Your Love" became a top five hit in the summer of 1971.
     A couple more songs barely missed the top 40, but late in 1972, Reynolds left the band. Hamilton and Carollo brought in a couple more musicians and continued to tour locally, but the singles stopped after mi-72. They brought in Alan Dennison as a permanent replacement and began looking for a new record company since Dunhill had dropped them.
     Their wishes were answered in the form of Playboy Records, who would sign them on the proviso that they retained the name, Hamilton, Joe Frank, and Reynolds. The idea obviously was that a "known" name would have a better chance of having a hit. We can't be sure of that had anything to do with it, but in 1975, the song, "Fallin' In Love" climbed all the way to the number one spot. The follow up, "Winners and Losers" climbed to #21 as well.
     1976 brought several more charting song, but nothing approaching their previous successes. It also brought a name change to the more correct, "Hamilton, Joe Frank, and Dennison". The continued touring as a group until 1980 until they packed it in for good.  

    

Thursday, July 18, 2013

Al Green--Let's Stay Together (1971)

     Whatever church preachers or atheists might say to the contrary, the line between the sacred and the profane is a pretty narrow when it comes to Soul music. After all, Ray Charles basically took the music from the Sunday morning meeting to Saturday night dance with no diluting of the form whatsoever. Of course, it could be argued that the emotions which fuel love for God are similar to the ones which fuel our passions in other areas. No one artist in the early 70's exemplified those emotions on both sides than the Reverend Al Green.
     Albert Greene was one of ten children born into a sharecropper's family in Forrest City, Arkansas. There was music in the home, and as they moved to Grand Rapids, Michigan Albert joined in a singing group with his brothers. They did some touring around the area, until his devoutly religious  father kicked him out of the group after catching the youngster listening to Jackie Wilson.
     While in high school, he started a group called, Al Greene & the Creations (later The Soul Mates), where they made a few recordings and caught the attention of a musician named Willie Mitchell who also owned Hi Records. The band leader hired Greene to front the band for a gig, and after it was impressed enough to offer the young singer a contract.
     Mitchell not only became his boss, but his mentor as they tried to find a vocal style. The first thing the men did was drop the "E" from Greene's name. His first two albums and several singles showed promise, and with the top 20 single, "Tired of Being Alone" in the fall of 1971, the ball really began to roll.  "Let's Stay Together" became his first and only number one, although the next seven singles over the entirety of 1972 and 73 all went top 20.  
      His life began to change however in 1974 after an incident where his then girlfriend, threw boiling grits on him after he told her that he was not interested in marriage. she then found his .38 pistol and killed herself. Besides being burned badly, her death started him on a path which led him to the ministry. He became an ordained minister at the Full Gospel Tabernacle in Memphis in 1976. He continued to tour and record, but by 1978 he was totally devoting himself to gospel music, which he would do for the next ten years.
     In 1988 he returned to secular music with, "Put a Little Love in Your Heart", a duet with Annie Lennox which was featured in the movie, "Scrooged" with Bill Murray. This began a comeback which is still ongoing as his latest album, "Lay It Down" in 2008 was his first top ten album in 35 years. He still continues  minister as the pastor of the Full Gospel Tabernacle.


     
    

Monday, July 15, 2013

Grateful Dead--Truckin' (1971)

     There have been artists who have had overall greater success, there has also been musicians who created a greater stir among fans. However, with the possible exception of Elvis, there hasn't been a group of musicians who have elicited a more loyal and dedicated fan base over the course of 40 years as The Grateful Dead.
     Up until his death in 1995 (and even for several years after that as the band traveled as 'The Dead') this band spent much of it's time on the road, followed by fans who would literally follow the group from city to city. This isn't as crazy as it sounds, as if you were truly into the music, you'd know that not only did the set list change nightly, but the way it was played was as well. Fans were encouraged to record and trade concerts with each other. They truly did keep a 60's ethos for all of those years.    The group was intertwined with the San Francisco scene in just about any and every way possible. If there was a major scene going on in the West Coast, the Grateful Dead were there either as participants (most of the time) or observing it. If there was a pied piper of the summer of love, it was Jerry Garcia. 
     The music was a mish-mash of many different styles. A listen to their best music during the late 60's/early 70's showed doses of rock, folk, bluegrass, reggae and country with a smattering of space rock and psychedelia and jazz. They started out as The Warlocks, a jug band in San Francisco with Jerry Garcia (guitar, vocals), Bob Weir (guitar, vocals), Ron "Pigpen" McKernan (Keyboard, Harmonica, vocals), Phil Lesh (bass, vocals), and Bill Kreutzmann (drums). There were several others who were with the group over long periods of time: Mickey Hart, Keith and Donna Godchaux, Brian Mydland, and Vince Weinick among others.
     They were known mostly as an album band, and never had a top 40 hit until 1987's, "Touch of Grey", but probably their best known song to the novice was, "Truckin'". The song was written by Garcia, Weir, Lesh, and lyricist Robert Hunter and was part of the classic, "American Beauty" album. It's story of travels on the road as a metaphor for life still resonates today with it's, "what a long strange trip it's been" tagline.

  

Friday, May 31, 2013

Marvin Gaye--What's Going On (1971)

     Renaldo "Obie" Benson, bass singer of the Four Tops was hurt and angered by what he witnessed. An anti-war protest turned violent in a lot called, "People's Park" in Berkley, California. Benson watched the brutality by the police and along with lyricist Al Cleveland wrote the beginnings of "What's Going On"
      Meanwhile, back in Detroit, Marvin Gaye was deeply grieving. His singing partner and close friend Tammi Terrell had past just months before from a brain tumor which took her life just five weeks before her 25th birthday. He went into a time of seclusion where he pondered trying out for the Detroit Lions football team (he was not allowed due to potential injury), and accessing his future. He had always felt just a cog in the Motown machine and the resentment was just compounded when the person who had meant so much to him personally and professionally was gone.
      Benson  brought the still unfinished song to his bandmates. They didn't want to mess with it because to them it was a "protest song". At this point, they brought the song to Gaye who liked it and showed interest if he could get songwriting credit. The other writers agreed, and Marvin edited, revised the lyrics, reflecting the anger which Gaye was feeling towards the war as well. He also changed the melody and took it into the studio.
     After it's recording in September of 1970, Marvin flew to California and presented it to Motown president Berry Gordy Jr. Gordy hated it saying it was, "the worst thing I ever heard in my life". The singer at that point chose to go on strike refusing to record another note unless the single was released. Enter at this point executives Harry Balk and Barney Ales who, without Gordy's knowledge, shipped 100,000 copies of the single to stores in January of 1971, then after initial success, another 100,000 additional.
     The song became, at the time, the fastest selling single in the history of the record label. Gordy was stunned by the news and flew back into Detroit, telling Gaye that he could record an entire album of material like that one, if he could do it by the end of March. The album, "What's Going On" was recorded in 10 days and not only became his signature album, it has aged well and is considered by many one of the great albums of the modern rock era.  

Tuesday, April 30, 2013

The Free Movement--I've Found Someone Of My Own (1971)

     Normally on this forum I do not make fun of artists or songs. This is for a couple of reasons, the first of all being that music, like any kind of art is terribly subjective and what sounds great to one person might sound like tripe to another. Secondly, in an attempt to look at this music through a historic prism, we have to take into account that music many times is a snapshot of an earlier time. We would like to think (although with the events in the news it's hard to keep positive) that we are in a more enlightened age where we look toward those around us as equals. So one needs to keep that in mind when we hear songs that are blatantly of it's own time.
     However, there are times that it becomes so comical that I have to point it out. Which brings me to The Free Movement and "I've Found Someone Of My Own" who's title already give you a bit of a hint of what is to be found inside. This is worth actually printing the lyrics to get the full effect.

 
I got up this morning
While I was having my coffee
My woman came in, sat down by my side
With tears in her eyes
She said 'I've a confession to make.'
I said 'Woman, speak what's on your mind.'

She said 'I've found somebody new
To take your place.'
'I said don't feel so all alone
I've found someone of my own.'

'All those lonely nights
You left me all alone
My true love would call
And talk to me on the phone.'
I said 'Woman, if that's the way it's gotta be
Then darlin, don't you worry about me.'

She said ' I've found somebody new
To take your place.'
'I said don't feel so all alone
I've found someone of my own.'

I got up from the table
Reached down and wiped the tears
From her face
I put out my cigarette
Turned and walked away

She said 'I've found somebody new
To take your place.'
'I said don't feel so all alone
I've found someone of my own.'

Touching isn't it?

Am not sure who wrote this, but it had to be someone with a misogynistic fantasy of some sort. Too many times modern music is full of anti-woman biases that unfortunately still exists especially in heavy metal and rap.  When I first heard the song, my imagination went to a den with shag carpet and wood paneling and her coming down in her teddy to sit at the feet of her man while she confess that despite the fact that her man is a slimy bastard, she has found someone new. (surprise!) To add to the tenderness of the man involved ("woman, speak what's on your mind"..."Reached down and wiped the tears from her face"), we just find that he turns and walks out, which makes you wonder how long he had been freeloading off of her in the first place.

Hearing the song also give's a 70's porn feel about it all. To top it all off, it evidently touch a soft spot in a generation who evidently mixed up "free love" with ...well..."free love" because it reached #5 on the charts that year.  Anyway, it's not often that a song gets me this worked up, but any song that can make Steven Stills', "Love The One Your With" seem like a tender love ballad deserves some note.

Saturday, April 6, 2013

The Fortunes--You've Got Your Troubles (1965)/ Here Comes That Rainy Day Feeling Again (1971)

     During the mid-60's there were a host of British bands who took advantage of the walls knocked down by the Beatles' breakthrough in the states in 1964. These bands (and songs) were many times catchy tunes but  they might not have had a proper hearing except for the fact that by 1965 the popular US listeners were clamoring for anything from the UK.
     The Fortunes began their history as the Cliftones in 1963. They were signed to British Decca records that year and released a series of singles over the next two years that went nowhere. The first breakthrough for the group was also their charting song: "You've Got Your Troubles"
    The song reached #2 in the UK and #7 in the states. The two follow-ups "Here It Comes Again" (UK-#4, US #27) and "This Golden Ring" (UK #14, US#82) showed the band not able to continue it's successes, at least here in the state. A label change from Decca to United Artists in 1967 didn't help from the group's downhill slide.
     They spend the next couple of years floundering with different formulas, attempting to recapture past glories. It was a move to Capitol records in the early 70's that began to change things. Although not charting in the UK at all, "Here Comes That Rainy Day Feeling" was released in 1971 and reached #15 on the charts making them more than a one hit wonder, although because of the 6 years between hits, many don't realize that both songs are by the same group.
     The group continues to tour although it's lead singer Rod Allen, who was the only remaining original member of the band died in 2008. You can find more on them here:   http://www.thefortunes.co.uk/

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Thursday, February 21, 2013

Five Man Electrical Band--Signs (1971)

     The Five Man Electrical Band began their existence as The Staccatos in 1963. The Ottawa, Canada-based band began charting in their home country by 1965. They were frequently in the Canadian top 20 over the next few years except for 1967's, "Half Past Midnight" which crept into the top 10. There was never a hit followup, and by the end of 1968 the group was seeking a new direction musically. With that change to a more rock sound, came a new name. the Five Man Electrical Band.
     Even with a new name, the band continued their struggles and in early 1970 they left Capitol records and signed with MGM. Nothing much of not initially happened there either until the release of the single, "Hello Melinda, Goodbye". The A side did nothing, however, some DJ's in Canada and the US began to play the B side, "Signs". It immediately caught fire and before long became the #2 hit in the US. It's follow up, "Absolutely Right" cracked the top 40 here and did even better than "Signs" in their home country.
     There some minor chart action here in the states, but their success continued until running out of steam in 1975....



  

Monday, September 10, 2012

Joe South (1940--2012)

     Joe South, who passed away on September 5th had not been heard from very much since his heyday in the late 60's/early 70's. His style of songwriting and guitar playing which was filled with a  distinctly southern feel which still holds up very well today.
      Born Joseph Alfred Souter in Atlanta Georgia, he started songwriting during the late 50's, penning the novelty song, "The Purple People Eater Meets the Witch Doctor" in 1958, and a couple of songs for Gene Vincent. His first big hit as a songwriter was in 1962 when a local group, The Tams hit #12 with, "Untie Me".
     He spent much of the mid-60's as a top rate studio guitarist with the National Recording Company which also included producer/keyboardist Ray Stevens and guitarist Jerry Reed. South's guitar work could be heard on the electric version of Simon & Garfunkel's, "Sound of Silence" Bob Dylan's, "Blonde on Blonde" album, and the amazing guitar work the propelled Aretha Franklin's, "Chain of Fools".
     His next big hit as a songwriter was in 1965's, "Down in the Boondocks" by Billy Joe Royal in 1965. His list of hits for others include:

    "Hush" (Deep Purple 1968)
   "Yo-Yo" (The Osmonds 1971)
    "Birds of a Feather (The Raiders 1971)
    "(You Never Promised Me a) Rose Garden (Lynn Anderson 1971)
    "Don't It Make You Want to Go Home" (Brook Benton 1972)

     He is best remembered for the song, "Games People Play" which was his biggest hit and garnered him two Grammys (he also received a Grammy for, "Rose Garden"). His other top 20 hit was, "Walk a Mile in My Shoes" which Elvis made a staple in his live performances.
     In 1971, his brother and the drummer in his band, Tommy, committed suicide. This threw Joe into a depression which, along with a drug problem, drove him into a self imposed exile in Hawaii for years until he cleaned up his life. His reclusiveness assured that any kind of "comeback" was not in the cards. He eventually moved back to Buford Georgia.

   

Sunday, May 20, 2012

Sunday Morning Vault: Daddy Dewdrop--Chick-A-Boom (1971)

     Every so often I find a song that deserves to be re-heard just because it was a hit in it's time. Daddy Dewdrop is the pseudonym for songwriter Dick Monda. He has written for a host of other artists, but his main claim to fame was a song he recorded in 1971. "Chic-A-Boom" reached the top ten in the spring of 1971, and never had another song come close to the top 40. You can read more about him here: http://daddydewdrop.com/

Thursday, May 17, 2012

Cymarron--Rings (1971)

     My hunch about certain things in music is probably like most of you. Sometimes right, sometimes wrong, but usually interesting because the arts in general are so subjective.
      It had been a long time since hearing the song, "Rings" from the soft rock group Cymarron. It's one of those songs that's is as lite and airy as the meringue on Grandma's banana creme pie, and has as much nutritional value. However, that isn't why you listen to songs like this, they are pure pleasure while you listen, then ten minutes later you can't remember the name of the song, much less the name of the group.
     For historical sake, the group was made up of Rick Yancey, Sherrill Parks, Richard Mainegra and this was their only hit, reaching number 17 in the late summer of 1971. There was a brief showing of the follow up, "Valerie" several months later, then disappeared.
     Upon hearing this again for the first time in at least 30 years, my first thought was, "This has a late 80's/early 90's vibe about it. I know that era in country music well, as it's about the only period in that genre's history that I actually gave a damm about. Well, it turns out that twenty years after this singles, Yancey and Maingera teamed up with former Bread member James Griffin to form The Remingtons which had a couple of top ten hits on the country charts in the early 90's. This dovetails nicely into my theory that modern country music is as much influenced by 70's rock/pop then the country music of an earlier generation.....but then again you can read my opening sentence and argue that I don't know what I'm talking about...

Tuesday, May 1, 2012

Coven--One Tin Soldier (1971)

     One wonders if 40 years from now, our children (grandchildren? great-grandchildren) will look at something like the "twilight" series and read about the frenzy that accompanied it and scratch their heads and smile, as they attempt to figure out what the fuss was about.
      I wonder that same thing looking back at the "Billy Jack" series. Tom Laughlin directed, co-wrote and starred in the movie. When a distributor could not be found, Laughlin took the film to theaters himself. It bombed when first released in 1971, but by word of mouth it took on a life of it's own a couple of years later and grossed over 40 million dollars.
     This is not a movie blog, and I am not much of a movie watcher now, but can tell you that on reflection, watching the movie in a drive-in as a 13 year old was a lot more exciting than watching it now. (probably because I didn't reflect on trivial things like a guy who preached peace while kicking bad guy ass. )
     The song that came from this movie actually had it's major success the year the movie bombed. In 1971 it reached number 26 on the charts, and could have possibly been instrumental in keeping the movie alive long enough to reach an audience. The story of the group Coven would probably have made a better film than "Billy Jack". Jinx Dawson, the lead singer of the group had a distinctive voice, striking looks, and was, along with the other band members, true practitioners of the black arts. The group and it's role in the heavy metal scene is in need of a blog post all their own, but if your interested, look them up...it's a fascinating story.
     "One Tin Soldier" actually made it on to the top 100 three times in it's chart life. Coven never had another charting single, and the original  group broke up in 1974, although they have returned in several different forms over the years, with Dawson always the driving force. She has also had a career in modeling and acting as well.

Monday, April 9, 2012

Dennis Coffey & the Detroit Guitar Band--Scorpio (1971)

     Dennis Coffey was a part of the "Funk Brothers" who helped changed Motown's image in the late 60's/early 70's by adding a more muscular sound. They could be heard on many of Norman Whitfield produced songs including, The Temptations', "Ball of Confusion", and Freda Payne's, "Band of Gold".
     Coffey had been doing session work from the age of 15, and joined The Royaltones in the late 50's who had a top 20 hit with, "Poor Boy" in 1958. He joined Motown just as Whitfield became the leading producer at the Detroit based company. It was during this time, that some rock and even psychedelic elements were brought into the music.
     Dennis went off on his own in the early 70's, and along with fellow Funk Brother, bassist Bob Babbit, scored a top 10 hit right out of the gate with, "Scorpio". It garnered him an appearance on "Soul Train" (the first white guy to do that), and along with a follow up top 20 the next year, ("Taurus") set in motion a career that would span 14 albums including his brand new release, "Dennis Coffey" on Strut Records. http://denniscoffeysite.com/

Sunday, October 2, 2011

Don McLean--American Pie (1971)

     One of the first blogs I wrote was on this song (1/15/11) but it was little more then a video with a couple of sentences. With today being McLean's 66th birthday, it should get a better treatment....

     It was released when I was in 5th grade and woke up my musical awareness like no other song. At the time Buddy Holly was just a name, rye was a sort of bread, and had no clue what much of the song meant. Forty years later, my suspicions of the meaning(s) of the song are much stronger, even if McLean himself isn't talking, but it's sing along style even go beyond the attempts of people over the years to explain it all. 

     Just like a good poem, and like a good poet, "American Pie" and Don McLean give just enough to allow for the mind to take over and the imagination to soar in attempting to interpret. Many of his songs are like this however, McLean at his core is much more than a songwriter, he is a poet who has a very romantic view of things. Listen to this song's follow up, "Vincent", or, "And I Love You So" (a hit for Perry Como in 1973).
 
       

Friday, September 16, 2011

Paul/Linda McCartney--Uncle Albert/Admiral Halsey (1971)

     It's hard to imagine now the atomic blast that was the break-up of the Beatles. Although not a true fan of their music at the time (or anyone elses), I distinctly remember at the age of 9 hearing about the breakup. Having been a rabid fan over the years since, reading as many accounts as I could get my hands on, it's sad that something so totally unmusical caused the break up, at the same time it being so inevitable. Those first few years afterward the microscope on their lives was as intense as ever, as each of them dealt with it in totally different (and predictable) ways. 

     Many of the fans were looking for outside sources to blame for the breakup. Yoko took heaps of abuse for her perceived role, in a lesser way Linda did as well. However, the press seemed to take dead aim at Paul. Maybe it was because he was the first one to "officially" leave, this despite the Ringo and George quitting for brief periods of time and John being begged not to break the band up during a time where a new record deal was being negotiated. His leaving, along with leaving behind a debut album that was as much therapy session as it was album gave many in the media a boatload of reason to take dead aim at Paul AND Linda.  

     The album, "McCartney" came across then (as now) as a lot of unfinished ideas and one brilliant song (Maybe I'm Amazed). It wasn't bad at all, it just seemed so un-Paul like that it was jarring in it's own way. The second album which was much more filled out, included Linda on some of the background vocals. It also gave more of a template (for better or worse) of the kind of music that Paul was to make over the next decade. Uncle Albert/Admiral Halsey according to McCartney was based on an uncle of his while Admiral Halsey was built on a real General, William Halsey Jr who fought in the Pacific theater during World War 2.

     The album, "Ram" had mixed reviews at the time, but over the last 40 years has aged well. The single was his first of seven #1 hits in the decade (in the US), and at least for me, one of his most creative....

Monday, August 1, 2011

The Grateful Dead--Truckin (1971)

     The legend of Jerry Garcia and the Grateful Dead has grown to the point where it almost overshadows their musicianship. All we hear about anymore are the endless tours, the drug abuse, and the deadheads. Unfortunately, this media whitewashing has obscured a dammed good band. Interestingly, they weren't really rock and roll, (at least not on vinyl), nor were they country, but there were elements of rock, country, folk, bluegrass, and reggae in a mix that was truly their own. As good as their musical output was however, it truly was the live show that became the stuff of lore There was an ebb and flow from one song to the next...from one concert to the next. Obviously, some of this was drug induced, however this overlooks the fact that the band had strong improvisational skills.    

      Today would have been Garcia's 69th birthday and one has to wonder what would have happened had he not be affected by drug addiction from the late 70's until his death in 1995. Not only beyond his work with the Dead, he was in numerous side bands, and worked on countless albums for other. This along side the constant touring.   As it was, he was one of the most influential artists of the rock era, as a singer, guitar player, and personality.

      "Truckin" is no doubt the song that defines their group philosophy and although it was only in 1971, the line, "what a long strange trip it's been" not only summed up their career up to the moment, but defined their future as well. It was their highest charting single, other then the one shot 80's single, "Touch of Grey". The music clip here was from a 1972 concert (we show it any other way) in Denmark.

Monday, May 23, 2011

Cat Stevens--Moonshadow (1971)

   Well well....the premiere of "The Rock and Roll Omnibus" is tonight at 9pm Central US. You can hear it at radiofreenashville.org, and hope you will all give a listen. In the meantime, it's cloudy, rainy, and I feel like I've been hit by a truck. The only think I know to do is take meds and drink fluids and be thankful that it's still about 15 hours away.

    In the meantime, this is a good morning for some laid back sounds.

     Cat Stevens wrote "Moonshadow" for the album "Teaser and the Firecat", and in 1977 a cartoon short was made based on the song. Stevens wrote the dialogue and it was released along with others as the Fantastic Animation Festival. The first time I saw it was on ABC's "In Concert" series, which (I think) was also it's US debut. Looking back, it's very whimsical and utterly delightful.....hope you like it and hope that you all give me a listen tonight as we debut, "The Rock and Roll Omnibus" on radio..... 

Saturday, May 14, 2011

Sunday Morning Vault: Aliotta, Haynes, Jeremiah--Lake Shore Drive (1971)

     Most all of us have songs that we loved as kids, but then forgot. In doing some research this week, I came upon this gem. It was never a hit outside the midwest, but in Chicago and St. Louis it is still loved. So here it is for your listening pleasure....happy Sunday y'all....don't forget to friend us on Facebook, and check out our radio station by clicking on the banner to the right...

Sunday, April 24, 2011

Sunday Morning Vault: Audience--Indian Summer (1971)

    Audience was a rock group from Britian from 69 to 72. The line up on this record was Howard Werth, Keith Gemmell, Trevor Williams, and Tony Connor. This was the second of four singles, but the only one that charted  in the US...To hear music like this and others from the past...just click on the live365 banner on the right for the best oldies on the planet....