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Showing posts with label 70's jazz pop. Show all posts
Showing posts with label 70's jazz pop. Show all posts

Friday, June 22, 2012

Deodato--Also Sprach Zarathustra (1973)

     From the advent of the modern pop/rock era (about 1955), there are songs which made the charts that have been influenced by music from other countries. The American public seems to have a fascination with what is now known by the generic phrase, "world music", but not too much of it at a time, and almost always mixed in with a more Anglo sensibility. Paul Simon's, "Graceland" is probably one of the best examples of this in album form.
     We find much more of a tolerance for the music of the world in jazz. One of the purveyors of this blend of ethnic music (in this case from Brazil)  and jazz is Eumir Deodato. He was born in Brazil and taught himself the accordion and then the piano. By the age of 17 he was a pianist and arranger in the Bossa Nova scene in Rio. Like many musicians in that country who chafed at the rule of dictatorship in the country moved to New York City.
     He signed with the small CTI label and reworked "Also Sprach Zarathustra" in a funky bossa nova style which was included on his debut album, "Prelude" in 1972. Many of you know this song as the major musical theme in the movie, "2001: A Space Odyssey". Those with a classical background would of course recognize it as a tone poem written by Richard Strauss in 1896.
     It reached #2 on the charts in the early spring of 1973 and put Deodato on the map as a writer/producer/arranger.  He had three other songs reach the top 100 that decade, but none with the success of his debut, although he has arranged and produced hundreds of albums for artists all over the musical spectrum.

Saturday, December 17, 2011

Blood, Sweat, and Tears--Spinning Wheel (1969)


Keyboard player Al Kooper had a dream musically to blend rock, pop, R&B, and Jazz. To those ends, he brought together some of the best musicians in the business to form Blood, Sweat, and Tears in 1967. The intention at the time was to blend rock, pop, R&B and Jazz. However, the arraignment with Kooper at the helm since he left due to creative differences, and Canadian David Clayton Thomas was brought in as lead singer. Their second album was the one that brought about a three or four year stretch where BS&T were at the top of their game. (and the charts)

Saturday, December 3, 2011

George Benson--On Broadway (1978)

Happy Saturday to you!

Since 1964, George Benson has been playing his brand of jazz with that distinctive guitar and smooth vocals. He started out playing straight Bebop and as time went on began to play more in a crossover of Jazz and pop. Beginning with the album, “Breezin”, Benson went on a period where he was hitting the jazz and Billboard 100 charts. 

"On Broadway" was a cover of a hit by The Coasters from 1963, but here adds his own urgency that totally links up with the lyrics. This was not his biggest hit, but certainly one that put him on the map. 

Friday, November 4, 2011

Chuck Mangione--Feels So Good (1978)

     The 70's brought a hybrid of Jazz-pop that was more pop than jazz. There were several purveyors of this, with Maynard Ferguson and Chuck Mangione being the most popular.  

     Chuck Mangione had been making recordings since 1960. First with his brother Gap, then with Art Blakey's Jazz Messengers, The National Gallery, then with his own quartet in the 1970's. They began to break through to a larger audience with a Grammy in 1977 for best instrumental, and his, "Chase the Clouds Away" being used in the 1976 Olympics.

     "Feels So Good" in it's original album form is over ten minutes long, but was edited to a more single-like 3:28.