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Showing posts with label The Four Tops. Show all posts
Showing posts with label The Four Tops. Show all posts

Friday, May 31, 2013

Marvin Gaye--What's Going On (1971)

     Renaldo "Obie" Benson, bass singer of the Four Tops was hurt and angered by what he witnessed. An anti-war protest turned violent in a lot called, "People's Park" in Berkley, California. Benson watched the brutality by the police and along with lyricist Al Cleveland wrote the beginnings of "What's Going On"
      Meanwhile, back in Detroit, Marvin Gaye was deeply grieving. His singing partner and close friend Tammi Terrell had past just months before from a brain tumor which took her life just five weeks before her 25th birthday. He went into a time of seclusion where he pondered trying out for the Detroit Lions football team (he was not allowed due to potential injury), and accessing his future. He had always felt just a cog in the Motown machine and the resentment was just compounded when the person who had meant so much to him personally and professionally was gone.
      Benson  brought the still unfinished song to his bandmates. They didn't want to mess with it because to them it was a "protest song". At this point, they brought the song to Gaye who liked it and showed interest if he could get songwriting credit. The other writers agreed, and Marvin edited, revised the lyrics, reflecting the anger which Gaye was feeling towards the war as well. He also changed the melody and took it into the studio.
     After it's recording in September of 1970, Marvin flew to California and presented it to Motown president Berry Gordy Jr. Gordy hated it saying it was, "the worst thing I ever heard in my life". The singer at that point chose to go on strike refusing to record another note unless the single was released. Enter at this point executives Harry Balk and Barney Ales who, without Gordy's knowledge, shipped 100,000 copies of the single to stores in January of 1971, then after initial success, another 100,000 additional.
     The song became, at the time, the fastest selling single in the history of the record label. Gordy was stunned by the news and flew back into Detroit, telling Gaye that he could record an entire album of material like that one, if he could do it by the end of March. The album, "What's Going On" was recorded in 10 days and not only became his signature album, it has aged well and is considered by many one of the great albums of the modern rock era.  

Sunday, April 14, 2013

The Four Tops--Keeper of the Castle/Ain't No Woman Like the One I Got (1972)

     It had been a common refrain from those artists who had a proud legacy with Motown. The late 60's saw major shifts in what was a hit making machine out of Detroit. As with any musical style it is subject to the whims of the buying public, and much of the formula that churned out hit after hit had begun to break down as the Holland/Dozer/Holland songwriting team left to form their own label.
     Several groups like the Temptations and The Four Tops began to experiment with more psychedelic forms that fit with the late 60's. New songwriters such as Ashford & Simpson, Norman Whitfield, and Johnny Bristol began to emerge with a new pop/soul sound.  Artists with more clout such as Marvin Gaye and Stevie Wonder began to bring new forms of the black experience and it's expression  to the Motown label. which although popular with the public, did not impress Label president Berry Gordy who had become fixated on newer groups like The Jackson Five, Rare Earth, and a newly solo Diana Ross. With this began a slow shift from Detroit to Los Angeles which culminated in an announcement in 1972 that all operations were to move there, as was the artists. 
     The Four Tops were not interested in moving. Having felt neglected by the label for the past several years, they chose to break away from Motown and signed with ABC-Dunhill. This sparked a renaissance within the group and 1972 became one of the best years they had since their salad days in Detroit. The first hit was "Keeper of the Castle" which although neglected by oldies radio was a breath of fresh music air in 1972, with singer Levi Stubbs showing once again why his voice was a distinctive one through-out the previous decade. The second hit of the year was, "Ain't No Woman Like the One I Got" which Stubbs was joined in co-lead spots by the rest of the Tops. "Ain't No Woman" was their last top five hit. Although never having another big hit, they continued to record throughout the 70's and from the 80's until the middle of this past decade toured the country with The Temptations in a very successful partnership.

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Monday, June 6, 2011

The Four Tops--I Can't Help Myself (Sugar Pie, Honey Bunch)--1965

Levi Stubbs was born this day in 1936...he died in 2008 at the age of 72....

The Four Aims having become The Four Tops in 1956 had been bouncing around the supper club circuit for years. They signed a contract with Chess records in 56 (which precipitated the name change), but had gone nowhere, moves to Red Top and Riverside produced similar results. They were playing the best clubs in the country, but couldn't make that major breakthrough. In 64' they signed with Motown and after a bit of time experimenting on Berry Gordy's experimental label Workshop Jazz, they settled in with the Holland-Dozier-Holland songwriting team and things began to pop.

"Baby, I Need Your Lovin" was the first charting song for them in 1964, and "I Can't Help Myself" would bring them a #1 hit., they would reach the top twenty 16 more times before the last, "Used to be My Girl" in 1981. During that time Levi would refuse to have his name in top billing like Diana Ross or Smokey Robinson would do, nor would he opt for a solo carrier choosing to remain true to his fellow mates. He would remain their lead singer until a stroke in 2000 put an end to his career.

For those younger, one might also remember Stubbs as the voice of Audrey II in the 1986 movie "Little Shop of Horrors"....