Go to Blogger edit html and find these sentences.Now replace these sentences with your own descriptions.This theme is Bloggerized by Lasantha Bandara - Premiumbloggertemplates.com.
Go to Blogger edit html and find these sentences.Now replace these sentences with your own descriptions.This theme is Bloggerized by Lasantha Bandara - Premiumbloggertemplates.com.
Go to Blogger edit html and find these sentences.Now replace these sentences with your own descriptions.This theme is Bloggerized by Lasantha Bandara - Premiumbloggertemplates.com.
Go to Blogger edit html and find these sentences.Now replace these sentences with your own descriptions.This theme is Bloggerized by Lasantha Bandara - Premiumbloggertemplates.com.
Go to Blogger edit html and find these sentences.Now replace these sentences with your own descriptions.This theme is Bloggerized by Lasantha Bandara - Premiumbloggertemplates.com.
When we left things yesterday, Peter Gabriel left to pursue a solo career. The band tried out around 400 singers to replace him before settling on Phil Collins. Over 30 years later, it's easy to think that the band's move to more pop oriented material was a sharp line between the two singers. This was far from the truth as several of the albums post-Gabriel were progressive in nature as well. "A Trick of the Tail" (1976), "Wind & Wuthering" (1976), and "Seconds Out" (1977--a live album). Of course, you can hear a gradual shift towards more pop sounds, but they would never totally leave their artsy roots. Looking back all of these years later, they were actually ahead of the curve. While the late 70's became a wasteland for many of the progressive rock heroes earlier in the decade, Genesis saw the writing on the wall and began a change to a sound that took the best parts of their prog roots and wedded them to a more pop structure.
Am not sure if his leaving hastened this change over, or vice versa, but by the album, "..And Then There Were Three" (1978), Steve Hackett had left as well leaving it down to a trio of Banks, Rutherford, and Collins. The 80's was when this lineup struck gold time and time again. Beginning with, "Follow You, Follow Me" (1978), they racked up seventeen top 40 hits through 1992, with the apex of this popularity coming between 1986 and 1988, which included, "Land of Confusion"
Although a big fan of 70's progressive rock, I always felt an detachment to Gabriel era Genesis. I've always found the latter era group to be more tuneful. To be fair, Peter Gabriel has also done better creatively in his solo career after leaving the group which helped launch his career. Despite what prog rock sympathizers might tell you otherwise, the 80's version could rock as well, and this song is a good example of it. Things began to slow down in the mid-90's, especially after Collins left in 93', and although there had been a couple of reunions since, 1997's, "Calling All Stations" wrapped it up for the group as a recording entity.
The story of Genesis is truly one of two different bands, which made if difficult to choose which one of those incarnations to write about. So to be fair, I am writing about the Peter Gabriel era group today, and the Phil Collins era group tomorrow.
The story begins in 1967 with schoolmates Peter Gabriel and Tony Banks. The other members drawn from bands which came from other schools included Mike Rutherford, Anthony Phillips, and Chris Stewart. Their original intention was to become a songwriting cooperative, however in 1968, songwriter Jonathan King, who was an alum of the same school as Gabriel and Banks, heard the band at a gig at the school and was impressed enough by what he heard to help get them signed to a recording contract. The resulting album, "From Genesis to Revelation" in 1969 didn't sell well (didn't sound much like what we know as Genesis either), but King continued to encourage the band to go off on their own rather than write for others.
During the recording of that first album, drummer Stewart was replaced by John Silver. Silver was replaced before the recording of the second album by John Mayhew. The subsequent album, "Trespass" still showed a band in development, but on hearing it again now, showed the template for what was to become the classic 70's era Genesis sound.
After that release Phillips chose to leave the band due to ill health. Mayhew was also released and replaced with Phil Collins. The guitarist spot was filled first by Mick Barnard then Steve Hackett in the fall of 1970. Thus began a streak of top albums by the five men. "Nursery Cryme" (1971), "Foxtrot" (1972), "Selling England by the Pound" (1973), and "The Lamb Lies Down on Broadway" (1974).
"Lamb" in particular was a massive two album set describing the spiritual story of Rael, a Puerto Rican youth living in New York City. The stage production in concert was as sprawling as the album, but it was a huge success for the band critically and in terms of sales. However, Gabriel was showing continues dissatisfaction with the band. He was not only feeling pigeonholed musically, but also felt the band members showed disinterest and callousness towards the difficult birth of his daughter and the need to be home with her and his wife. This led to him announcing that he was to leave after the "Broadway" tour. The band members were aware of this prior to the tour.
Despite this, the tour was a massive success, and Gabriel and the band he helped create went their separate ways. This could spell disaster for many groups, but this was one instance where leaving not only was very successful for the man leaving for the solo career, but shot Genesis off into a totally different direction which no one could have predicted.