Turning a 60's pop band into a cookin' 70's R&B group in about 50 (or more) steps.

It is the rarity for music groups to keep the same lineup over the course of it's history. Reasons include (but not exclusive to):

Sick of being poor

Sick of traveling

Sick of bandmates

Sick of abusing substances

Sick of corporate runarounds

Sick of being sick

Sick of being unknown

Sick of being known

Sick of being underapprcated

Sick of being bad

Illness

Death

Any or all of those have put the kibosh on the dreams or harmony of a musical group. Some groups change rarely, but just the sheer number of years on the road will bring about change. Others can change lineups so much that reunions of the bands in question come with "Hi I'm..." badges. Changes can bring about differences, while some bring no changes in the sound whatsoever.

However, every so often changes will occur that will totally take a band into another genre altogether, One latter day example was with the band Genesis. Peter Gabriel leaving the band and Phil Collins taking lead vocals move the band from art/progressive rock to pop rock in very short order. Another was the disco group Exile morphing into a popular country band. Today however, we consider The American Breed.

The band's heyday was in 1967-68 with five songs on the charts, by far the best known being, "Bend Me, Shape Me" in December of 67.

The hits stopped coming by the end of 68 which began a cycle of changes that only kept guitarist Al Ciner and keyboard player, Kevin Murphy. Not only that, but they went through several name changes...they went as The Breed, then as Smoke. Went through a couple of lead vocal changes as well until settling on an 18 year old fireball of a singer named Chaka Kahn. By this time (1973) they had also changed the name to Ask Rufus. By 1974 this core wound up with a number three hit and success in a totally different genre. A long hard climb from pop to R&B, but a very successful one....

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Before We Were So Rudely Interrupted

     Last time many of you heard from me on this forum, we had stopped the radio show and the blog posts had slowed to a trickle. Life had changed our plans, and although we willing accepted the changes in our career plans and our move to Southern Mississippi, the extra responsibilities caused me to rethink some priorities and the radio show AND blog went by the wayside.

     There were attempts on my part to re-ignite the blog by setting up a new site and domain name, but just couldn't get the mojo working again. A friend of mine said to me several years back to do what I was passionate about, and stick with it, not because there would be financial gain (although that would be nice), but because it was what I loved. That has never been far from my mind.

     Circumstances are allowing me again to pick up where I had left off. However this blog will not be an everyday thing, nor will it be in exactly the same format as before. I have an opportunity to resurrect the radio show again, and that will be my major focus. This blog will attempt to expand on some ideas and opinions concerning music which I might not have on a chance to on the radio.

     The show itself will also change. Before it was a mix of rock, pop, soul and r&b. My wheelhouse musically is rock from 1966-1980, in other words, the salad days of FM rock. This is where the base of the show will come from. Many a day (and night) of my childhood was spent listening to KSHE 95.5 in St. Louis, and the personality and vibe from that station molded my philosophy of how a radio show should be conducted.

     There are already three stations lined up to carry the new show. Actually, one of them never stopped airing the old one, and a new station in Oregon picked up repeats of the old broadcast about two months ago. I'm excited to attempt to bring things back to you. The readership of the blog never waned, and almost 65,000 of you have check it out. For this I am eternally grateful. Keep watching on the blog for updates as the day where we broadcast again come near.   

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Roberta Flack & Donny Hathaway--Where Is The Love (1972)

     We see examples in music of duos who do much better together than separately. Although Roberta Flack maintained a strong career on the charts through the 70's and part of the 80's, Donny Hathaway's success always seemed to be linked to his female duet partner.
     Hathaway received an scholarship to Howard University and went there three years before quitting to pursue his professional avenues. He first worked behind the scenes as a songwriter, producer and session pianist for a number of stars such as Aretha Franklin, The Staple Singers, and Jerry Butler. He also sang in "The Mayfield Singers" who would back The Impressions. Soon, he became the house producer for Mayfield's Custom record label.
     Atco Records was interested in Hathaway as a solo performer and signed him to their label in 1969, but the first few efforts didn't go far. However, his first album in 1970, "Everything is Everything" has become somewhat of a soul classic.
     I've read in some materials on the internet that it was during their time at Howard University that Flack and Hathaway were friends and this led to them working on music together. It sounds good, but that's not true since Flack was offered a scholarship at the age of 15 (one of the youngest to ever enter the university) in 1952 and graduated at the age of 19 when Hathaway was 11.
     The real story is that Flack included one of Donny's compositions on her "First Take" album in 1969 ("Our Ages or Our Hearts"). The next album not only included "Gone Away" written by Hathaway and Curtis Mayfield, but he was the arranger on the disc as well. It was Jerry Wexler who suggested an album of duets.
     The result was the album, "Roberta Flack & Donny Hathaway" in 1971 which gave them a minor hit with the James Taylor song, "You've Got A Friend". In fact, both the duo's and Taylor's version came out on the same day, and while JT's version went to number one, it certainly gave both much needed exposure.
     This was especially true of Flack who just a short time later hit number one with, "The First Time Every I Saw Your Face",  a song from the Clint Eastwood movie, "Play Misty For Me". In the summer of 1972, Atlantic chose to take the song, "Where Is The Love" off of the duet album which became a top five hit, and won the pair a Grammy as well. The next solo outing for Roberta was, "Killing Me Softly With His Song" which became another number one hit and propelled her into superstardom.
     Hathaway however continued having problem making it big as a solo artist. His problems with mental illness also became a problem, not only in his personal life, but in his relationship with Flack. He had been diagnosed as a paranoid schizophrenic and as long has he was taking his medication he was fine. His wife later admitted that he was not always diligent in this respect and it eventually effected all of his relationships.
     Although Donny had a few top 20 hits on the R&B charts, he was never able to translate this into overall success. He did some television work, including recording the theme song to "Maude" and produced some as well, but much of the mid-70's was spent working in small clubs and having several bouts in the hospital for his emotional issues. Later in the decade he reconciled with Flack and the two went back into the studio to record what would be another huge hit, "The Closer I Get To You" in 1978. The pair were making plans to release another duet album when Hathaway was found dead in January of 1979 after falling from his 15th story apartment. There were no signs of struggle and the sliding door was neatly moved, which led investigators to rule it a suicide. He was 33. 

  
     

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Freddie Hart--Easy Loving (1971)

      Every time I post a country song on here, the same type of emails come in, "This ain't rock and roll". Well no kidding. At the same time, no matter what era that it had been recorded, if it makes it on to the top 20 on the pop charts, then it has something going for it. In 1971 Freddie Hart had a huge hit with "Easy Loving" which just goes to show that a good song is a good song no matter what genre it comes from.
     Hart was born in rural Alabama and had just a minimal education. He had quit school before he was a teenager to go work, and a few years later lied about his age at the outset of World War II to get into the military. He saw action in Iwo Jima and Guam. On his release, he settled in California where he taught self defense courses at the LA Police Academy. He also began to perform and write which led to a recording contract in 1953 with Capitol Records. This never led to much, but ended up getting his first big break when Carl Smith covered his song, "Loose Talk" in 1955. He continued to write for artists such as Patsy Cline and George Jones. His switch to Columbia Records in the late 50's began to bear some fruit with the song, "The Walk" in 1959.
     The 60's found him having middling success, especially in the latter part of that decade. It was his return to Capitol in 1969 that marked the beginning of his most fruitful period. He had become a part of what was known as the "Bakersville Sound" which had been made so popular with Buck Owens. "Easy Loving" in 1971 not only became his first number one his on the country charts, but did well enough to climb to number 17 on the pop charts as well. It began a streak of five number 1's in a row (he had six total) from 1971 to 1973. He became a country star for the entirety of the decade.
     He has continued to record traditional country and gospel over the years since 1980 and in his 80's continues to remain active in music and his love for painting.

 

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Emmylou Harris--Boulder to Birmingham (1975)

     Emmylou Harris has one of the purest voices in any genre, and much like Neil Young, she has followed her muse at all times, encouraging her fans to follow along. This has made her impossible to pigeon-hole, but has won her fans from all genres, picking up a dozen Grammys along the way. She has recorded many memorable songs, but this one is one of my favorites.
      Harris was admitted to the University of North Carolina-Greensboro on a drama scholarship when she began to take music more seriously. Beginning heavily into folk music she dropped out and moved to New York where she produced her first album in 1969, married, had a child, and soon divorced. She moved moved back to Maryland with her parents to start the new decade.
     She soon returned to singing and in 1971 was heard by Chris Hillman, then of the Flying Burrito Brothers. After briefly considering asking her to become a member of the group, referred her to Gram Parsons who had just left to pursue a solo career. Personally they hit it off immediately. Parsons introduced her to his brand of country rock, and she brought a crystalline voice that was made for his. Although never romantic, she was totally devastated by his death in 1973.   (Harris has some interesting comments on this in an article from The Independent: http://www.independent.co.uk/arts-entertainment/music/features/emmylou-harris-i-smoked-country-music-but-i-didnt-inhale-2267867.html)
      Thanks to Linda Ronstadt, she got a record deal with Warner and released the 1975 album, "Pieces of the Sky" which contained, "Boulder to Birmingham" which was the first of many attempts to sort out Gram's life, death, and their relationship to one another. It has remained a fan favorite, and laid out the template for her future in music as the torch bearer of his country rock vision.

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The Carpenters--Hurting Each Other (1972)

     It was 1972 when The Carpenters reached number two with this song, becoming easily the biggest charting version of the song, but it has had an interesting recorded history.
     Written by Gary Geld and Peter Udell in 1965, it was first recorded by Jimmy Clanton later that year on Mala Records. This version (which has a more urgent sound) reminds you of something The Righteous Brothers would have recorded. The Walker Brothers recorded a version in 1966 that had a similar feel. Chad Allen & the Reflections, which was the early version of The Guess Who put a bit more of a pop twist to it.  It was released in Canada in early 1966 and reached the top 20.

     The earliest version of the tune in the form we know it by now comes from the singer Ruth Lewis in 1966. Notice how the urgency of the music has been smoothed out and it has become more of a ballad.

     A later version by Ruby and the Romantics in 1969 attempted to split the difference with a bossa nova style verse and a more straightforward ballad chorus. You can find this on You Tube, but to me, all of the energy was taken out of the song going back and forth. It might have been the version to break through on the US charts if it had made up it's mind where it was going.
     It wasn't until the Carpenters took the song that it became a massive hit and looking back at the other versions it was easy to see why. Richard took the urgency out of the music and gave it their patented soft rock sheen. It was replaced by the heartbreaking sadness of Karen's voice. It was a perfect marriage of lyric to voice and one of their best.

    

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Linda Ronstadt diganosed with Parkinson's

     The devastating news crossed my desk tonight that Linda Ronstadt's career is over. The article found here: http://blog.aarp.org/2013/08/23/linda-ronstadt-discloses-her-battle-with-parkinsons-disease/  discloses that she has known for about eight months, but was having symptoms for several years before. On uneven ground she uses a cane, and travels with the use of a wheelchair.
     For many of us Linda and Stevie Nicks defined 70's LA style rock/pop. As the 70's turned to the 80's however, Ronstadt felt confined by the barriers of pop and spent the last 30 years traveling through the great American songbook, country, Spanish-language songs, children's music, and her last effort, 2006's, "Adieu False Heart" a Cajun flavored collaboration with Ann Savoy. She is easily the true definition of a musical renaissance woman.
     All of us wish to leave our profession on our own terms, but not all of us do. Artists of all kinds however leave a recorded legacy that keep them forever young, forever strong, and forever a part of our musical lexicon. Our thoughts, energy, and prayers go out to her as she continues to fight a much different battle. 
     

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Hagood Hardy--The Homecoming (1975)

     As I have mentioned in previous blogs, inspiration for songs literally come from anywhere. As early as the late 60's the lines began to blur between Madison Avenue and the Hot 100. Many of you might know The Carpenters' hit, "We've Only Just Begun" started with Richard Carpenter hearing the tune used on a TV ad for a bank. Just a few years later, a Canadian composer had a hit based on a ad for tea.
     Hardy had a very successful career on the vibraphone, piano and other percussion instruments. He played in several well known bands in the early 60's behind great names such as Herbie Mann and Martin Denny. In the late 60's he began writing jingles for television and radio and soon branched out into films as well.
     The genesis of "The Homecoming" began as an ad for Salada Tea in 1972. He fleshed out the snippet used for the promotion and released the song just prior to Christmas in 1975. The song became a hit around the world, and just missed hitting the top 40 here in the states. It's easy listening style was set more for an older crowd, but it's smooth easy sound impressed many a listener. He continued recording up to his death in 1997.

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