Dale Hawkins--Suzie Q (1957)

     In the late 60's, Creedence Clearwater Revival became well known for a late 60's version of a rock and roll style known as swamp rock. A blend of rockabilly and southern blues, one of it's early stars was a guitarist from Louisiana named Dale Hawkins.
     Dale, like many others grew up in that area were influenced by country, blues, and gospel. His father, who left the family before Dale started school, was a traveling musician, and although Dale never remembered his Dad, he began to take up the guitar as well. He left home at the age of 16 he enlisted in the military and served a year and a half. Upon his release, he began a number of different jobs, one of which was at a record shop in Shreveport. It was here that the young musician met Leonard Chess who would become a huge influence in his latter career. Hawkins became one of the few white men to play on the Checker label (Chess' sister label) and soon after being signed wrote Suzie Q with James Burton. The song reached #27 on the charts, but it's influence far surpassed it's initial success as later in the 60's the song was covered by the Rolling Stones, and of course, CCR. It has been listed by Rolling Stone magazine as on of the 500 most influential songs of all time.
     Hawkins continued to record for Chess/Checker for quite a few years after this and had three more hits in the top 100. By 1959 the hits stopped coming, but Dale had a fervent following to those who were into Rockabilly and continued recording and touring until the mid-60's when he had an opportunity to produce others which led him into his next career as a record executive. He was influential in the careers of artists like The Five Americans, Bruce Channel, Harry Nilsson and Michael Nesmith.
     After being treated for prescription drug addiction in the late 70s, he moved to Arkansas where he spent the rest of his life. He passed away from colon cancer in 2010, but not before releasing a series of acclaimed albums, most notably, "Back Down to Louisiana" in 2007.

  

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John Fogerty/Blue Ridge Rangers--Jambalya (1972/3)

     John Fogerty ranks easily as one of great songwriters/singers of the early days of modern rock. Having said that, it seems like much of his career has been spent fighting for his own self significance. Some of the fights, like with Fantasy records were wholly justified, others, like with his brothers and band-mates left one scratching their head and wondering what the fuss was really about.
     Without going too deep into it here, John's brother Tom had already left the band, over wanting more control in the band along with the remaining members, Stu Cook and Doug Clifford. They made it clear they didn't want total control, but they desired to work more as a cooperative then "John Fogerty and his band". Instead of working with the others to craft songs, an ultimatum was for each to take a third of the album and write their own music or else the band would be dissolved.
     The result, "Marti Gras" was a disaster (at least by CCR standards) and the band broke up in early 1972. With Fogerty feuding with Fantasy and his musical family, he retired into the studio to make an album of just songs that influenced him. No one else was involved in it as John played all of the parts, and produced it as well. To continue to separate himself from his own legacy, there was no picture of him on the cover of the album, and he took the name, "Blue Ridge Rangers" instead of promoting his own name. Of course, with that distinctive vocal sound, it was not hard to know who was doing the singing. The Hank Williams Sr. classic, "Jambalya" was chosen as the first single (released in late 1972)  off the album and reached the bottom part of the top 20 early in 1973.

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Creedence Clearwater Revival--Fortunate Son (1969)

     I've read a book or two on CCR, and it always leaves me sad. It also leaves me wondering about the kind of childhood that Tom and John Fogerty had to cause such a rivalry later on.
     For a much too brief time (if you don't count their last album,  'Marti Gras'...which wasn't very good, it was less than three years) Creedence was THE American band. Forty years later, it still defines much of what was good about late 60's/early 70's rock.
     However, most of that time they were on top of the world, there was turmoil. The band originally had Tom as lead vocalist and chief songwriter. As John began singing and writing, the music not only took a different turn creatively, the hits began to pile with with a fury that could only be described as breathtaking. Fourteen hits (several of them two sided) in a 24 month period reached the top 20 from January 1969 to January 1971.
     You would think this would leave the guys happy, but it seemed everything but. Tom was obviously jealous over John's success. This was compounded greatly by John's instance of leaving the others out of the writing process, and never giving them the credit they deserved for creating the "sound" of CCR if not the actual song.
     They always had a chip on their shoulder about being seen as a "serious" band. They guys wanted to be seen on the same plane as the Beatles. Although some music critics at the time saw them as "just" a "singles" band, this was much more than just bubblegum. Besides the fact that no one seemed to mind the Beatles continuing to produce fantastic singles, CCR was crafting songs that could easily be seen as equal to what was being done by ANY group of the era.
      Besides that, when Fogerty wanted to make a statement, he could. Listen back to back to "Fortunate Son" and "Have You Ever Seen The Rain". One would not find a pair of songs that described the war from a average kid's perspective any better than these two. There are many anti-war songs that are more direct in the wording perhaps, but there are few with as much literary (or on the case of 'Fortunate Son', sonic as well) punch. 

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